Saturday, May 28, 2011
African American Daily Quote for Kids
"We are one, our cause is one, and we must help each other if we are to succeed." —Frederick Douglass, 1847 (taken from Kids' Book of Wisdom, Just Us Books)
Sunday, May 22, 2011
Welcome to Just Us Books' New Web Site!!!!!!
During the month of April, Just Us Books experienced some technical challenges that made it difficult for our readers to access our web site.
But we’re happy to report that our web site is back—new and improved.
But we’re happy to report that our web site is back—new and improved.
· A brand new online bookstore where you can purchase Just Us Books and Marimba Books titles
· Exclusive special offers and discounts on our extensive list of multicultural children's books
· Exclusive special offers and discounts on our extensive list of multicultural children's books
· An expanded Teacher/Librarian Center, featuring Teacher’s Guides for our books, newsletters, tips and other free classroom resources
· Articles, features and other updates about our authors and illustrators
· A news feed featuring articles about children's literature, the publishing industry and other related news
Follow us at www.Twitter.com/justusbooks | Fan us at www.Facebook.com/justusbooks |
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And log into YouTube from time to time to catch our latest book trailers and videos.
Thanks for your continued interest and support.
Saturday, May 21, 2011
A CONVERSATION WITH AUTHOR OMAR TYREE
Omar Tyree Writes a “Mr. Creative”
Book For Boys
Omar Tyree is a New York Times best-selling author whose 18 published books have sold nearly two million copies worldwide. A graduate of Howard University with a degree in Print Journalism, Tyree has been recognized as one of the most renowned contemporary writers in the African-American community. His contributions to literature have earned him a 2001 NAACP Image Award for Outstanding Literature in Fiction, and a 2006 Phillis Wheatley Literary Award for Body of Work in Urban Fiction. Tyree is also an informed and passionate speaker on various topics.
A tireless creator, Tyree makes his children’s book debut with 12 Brown Boys, a collection of short stories that focus on the lives of Black pre-teen boys.
Just Us Books: What's your goal in writing 12 Brown Boys? What do you hope to achieve by publishing the book?
Just Us Books: What's your goal in writing 12 Brown Boys? What do you hope to achieve by publishing the book?
Omar Tyree: There is a gigantic hole in the published world for content featuring urban American boys. Therefore, urban American boys are really not being engaged as young readers. They don't have a wealth of material that represents who they are or what they think about. So I wrote 12 Brown Boys to begin to supply a steady stream of content for this lost and forgotten group of American readers who end up becoming non-reading men. And my goal here is to turn urban boys on to reading, and then plot to keep them reading by supplying them with more books—with great content in development—for the future.
JUB: Why did you decide to begin writing children's books?
Tyree: I have two sons myself, and they are both still young. And it’s embarrassing for me as an African-American male writer of more than a dozen adult novels to take my sons to the book stores and find less than a dozen books with brown boys’ faces on them. So my reason for writing children's books, particularly for urban boys, is the same reason I started writing books for African-American adults more than fifteen years ago. I want to add content to the book shelves that represent our world. And many children's book publishers have not been very interested in doing that.
JUB: What do you think constitutes a great recipe for a book that will captivate young black boys--particularly middle readers (ages 8-12)?
Tyree: Well, it has to be a fun read, number one. So it has to get the young reader engaged and excited. A lot of new readers also like to relate to the material, so [I] create content that is close to who they are and what they go through in life. And boys, of course, love sports, doing things their own way, and getting involved in adventure. So adding that strong ingredient to the mix is also a plus. And if you can add some kind of moral lesson to the content without sounding too preachy, then that brings the book all the way home for a win. And that's the formula I plan to use for an upcoming library of many more books for urban American boys.
JUB: Why did you decide to begin writing children's books?
Tyree: I have two sons myself, and they are both still young. And it’s embarrassing for me as an African-American male writer of more than a dozen adult novels to take my sons to the book stores and find less than a dozen books with brown boys’ faces on them. So my reason for writing children's books, particularly for urban boys, is the same reason I started writing books for African-American adults more than fifteen years ago. I want to add content to the book shelves that represent our world. And many children's book publishers have not been very interested in doing that.
JUB: What do you think constitutes a great recipe for a book that will captivate young black boys--particularly middle readers (ages 8-12)?
Tyree: Well, it has to be a fun read, number one. So it has to get the young reader engaged and excited. A lot of new readers also like to relate to the material, so [I] create content that is close to who they are and what they go through in life. And boys, of course, love sports, doing things their own way, and getting involved in adventure. So adding that strong ingredient to the mix is also a plus. And if you can add some kind of moral lesson to the content without sounding too preachy, then that brings the book all the way home for a win. And that's the formula I plan to use for an upcoming library of many more books for urban American boys.
About 12 Brown Boys
Best-selling author Omar Tyree makes his children's book debut with 12 Brown Boys, a collection of short stories for middle readers that focus on the lives of Black pre-teen boys.
Readers will connect with Tyree's engaging characters. There is Red Head Mike who hates his nickname, but hates his red hair even more, and Chestnut, who is sent to live with relatives down South to keep him out of trouble in his Brooklyn neighborhood. There is Santa Monica super kid William, whose status as a scholar and entrepreneur has even his best friends hating him, and Wayne who resents his role as the oldest child until a tragedy strikes the family. There’s Taylor, a star baller and aspiring video director who just might be getting his first big shot in the industry; and rough and tumble T.C., from St. Louis, who’s struggling to find his place as a young man in a house full of girls.
Tyree has assembled a wide range of characters that reflect the diversity of experiences of Black boys—characters that are funny, serious, edgy, street-wise, studious, and all unforgettable.
To purchase 12 Brown Boys, visit www.justusbooksonlinestore.com
Readers will connect with Tyree's engaging characters. There is Red Head Mike who hates his nickname, but hates his red hair even more, and Chestnut, who is sent to live with relatives down South to keep him out of trouble in his Brooklyn neighborhood. There is Santa Monica super kid William, whose status as a scholar and entrepreneur has even his best friends hating him, and Wayne who resents his role as the oldest child until a tragedy strikes the family. There’s Taylor, a star baller and aspiring video director who just might be getting his first big shot in the industry; and rough and tumble T.C., from St. Louis, who’s struggling to find his place as a young man in a house full of girls.
Tyree has assembled a wide range of characters that reflect the diversity of experiences of Black boys—characters that are funny, serious, edgy, street-wise, studious, and all unforgettable.
To purchase 12 Brown Boys, visit www.justusbooksonlinestore.com
COMING SOON From the Teacher/Librarian Center: GETTING BOYS TO READ
Saturday, May 14, 2011
A CONVERSATION WITH MARIMBA BOOKS AUTHOR MARGO SORENSON
This month, Marimba Books releases Aloha for Carol Ann, a picture book about an eight-year-old who moves to Hawaii and struggles to feel at home in this new place until she discovers the true meaning of aloha, a Hawaiian term that means "hello," "welcome" and so much more.
Meet the Author: Margo Sorenson
Marimba Books: Do you remember when you began writing? What was your first piece?
Margo Sorenson: I wrote my first "book" at age 6, titled LEO AND BO-PEEP, and I illustrated it, too (unfortunately!). I still have it, and it makes me giggle. When I do school visits, the students always ask me this same question, so I show them the tattered and ancient "book," much to their glee!
MB: How did you get started in children's book publishing?
MS: I taught high school and middle school English for many years, and I was lucky enough to have excellent mentoring from writing instructors in the teaching of writing, including the UCLA Writing Project. Parents of my students would ask me why I didn't write, and I always answered that I could teach students to write, but I couldn't write, myself. My mother, also an author of children's books, encouraged me to go to an SCBWI workshop with her. I went — kicking and screaming — and have never looked back.
MB: What was your first published book and how many have you had published so far?
MS: My first published book was one I co-authored with Anne Polkingharn, the wonderful and legendary librarian of the California K-8 school at which I was teaching, Harbor Day School. It was a reading record book with multiple activities for students to report on their reading, titled HOW TO SNEAK UP ON A GOOD BOOK (Perfection Learning), which is now out of print. At the same time, I had just begun working on Aloha For Carol, and I was writing a work-for-hire for Bantam Sweet Dreams series, under my pseudonym Marcie Kremer, titled ALOHA LOVE (Bantam, 1994, out of print), a very "demure" teen romance about two debaters at Aina Hau School (Punahou School, where our daughters attended and where I taught) in Honolulu. ALOHA FOR CAROL ANN is my twenty-seventh published book, but, I have probably eighty to ninety unpublished manuscripts!
MB: You have an interesting story of perseverance regarding the publication of Aloha For Carol Ann Can you share that?
MS: I first began writing Aloha For Carol in 1989, and I would read the various versions aloud to my middle school students, who would make comments, trying to spare my feelings! I began submitting it to publishers, and it was rejected many, many times. When I'd get feedback from editors, I'd revise it again, and I'd ask my fellow teachers for help, as well. I believed in the story, because I'd seen it reenacted so many times during our ten years in Hawaii, and I wanted to share the aloha spirit that our family had found there. Twenty-two years later, I was still keeping an eye out for a publisher that I thought might be interested in the story, and lo, and behold, Marimba Books was founded, the perfect publisher for this story. I queried, was asked to send the manuscript, and the Hudsons acquired it, much to my and my family's joy!
MB: Aloha For Carol is about a girl who is a new student in a new place: Hawaii. Why did you pick Hawaii for the setting of this book? Do you have any personal connections to Hawaii?
MS: Our family lived in Hawaii for ten years, and, so often, I saw what a difference kids could make in welcoming someone new to such a different and unusual place. The aloha spirit of kindness and welcoming others is part of Hawaii, and the multicultural setting seemed perfect for the story I wanted to tell. We return to Hawaii every year, and we still have dear friends there whom we visit and who come to the Mainland to visit us, as well. Living in Hawaii has become an integral part of the fabric of our family's life, and I am so grateful that Marimba Books has made it possible to keep these special memories alive and to share them with young readers.
MB: Where did the inspiration for this book come from?
MS: After we moved from Hawaii, we missed it a great deal. I wanted to keep those memories alive for our family, so I began writing the story. Carol Ann is actually a real person (she gave me permission to use her name!), a young Marine wife we met at our church, who was having a difficult time adjusting to life in Hawaii, and she ended up loving it there because of people's welcoming attitudes. Carol Ann's story seems to span the generations, both young and old, and watching kids exemplify the aloha spirit by welcoming others in our daughters' classrooms and in my own classroom inspired me to share the story with young readers who also might have to move somewhere new and different, or might have someone new come to their school. The acclaimed author Virginia Hamilton once wrote, "Writing is what you know, remember, and imagine," and that's how Aloha For Carol came to be.
Learn more about author Margo Sorenson at her website: http://www.margosorenson.com/
Marimba Books: Do you remember when you began writing? What was your first piece?
Margo Sorenson: I wrote my first "book" at age 6, titled LEO AND BO-PEEP, and I illustrated it, too (unfortunately!). I still have it, and it makes me giggle. When I do school visits, the students always ask me this same question, so I show them the tattered and ancient "book," much to their glee!
MB: How did you get started in children's book publishing?
MS: I taught high school and middle school English for many years, and I was lucky enough to have excellent mentoring from writing instructors in the teaching of writing, including the UCLA Writing Project. Parents of my students would ask me why I didn't write, and I always answered that I could teach students to write, but I couldn't write, myself. My mother, also an author of children's books, encouraged me to go to an SCBWI workshop with her. I went — kicking and screaming — and have never looked back.
MB: What was your first published book and how many have you had published so far?
MS: My first published book was one I co-authored with Anne Polkingharn, the wonderful and legendary librarian of the California K-8 school at which I was teaching, Harbor Day School. It was a reading record book with multiple activities for students to report on their reading, titled HOW TO SNEAK UP ON A GOOD BOOK (Perfection Learning), which is now out of print. At the same time, I had just begun working on Aloha For Carol, and I was writing a work-for-hire for Bantam Sweet Dreams series, under my pseudonym Marcie Kremer, titled ALOHA LOVE (Bantam, 1994, out of print), a very "demure" teen romance about two debaters at Aina Hau School (Punahou School, where our daughters attended and where I taught) in Honolulu. ALOHA FOR CAROL ANN is my twenty-seventh published book, but, I have probably eighty to ninety unpublished manuscripts!
MB: You have an interesting story of perseverance regarding the publication of Aloha For Carol Ann Can you share that?
MS: I first began writing Aloha For Carol in 1989, and I would read the various versions aloud to my middle school students, who would make comments, trying to spare my feelings! I began submitting it to publishers, and it was rejected many, many times. When I'd get feedback from editors, I'd revise it again, and I'd ask my fellow teachers for help, as well. I believed in the story, because I'd seen it reenacted so many times during our ten years in Hawaii, and I wanted to share the aloha spirit that our family had found there. Twenty-two years later, I was still keeping an eye out for a publisher that I thought might be interested in the story, and lo, and behold, Marimba Books was founded, the perfect publisher for this story. I queried, was asked to send the manuscript, and the Hudsons acquired it, much to my and my family's joy!
MB: Aloha For Carol is about a girl who is a new student in a new place: Hawaii. Why did you pick Hawaii for the setting of this book? Do you have any personal connections to Hawaii?
MS: Our family lived in Hawaii for ten years, and, so often, I saw what a difference kids could make in welcoming someone new to such a different and unusual place. The aloha spirit of kindness and welcoming others is part of Hawaii, and the multicultural setting seemed perfect for the story I wanted to tell. We return to Hawaii every year, and we still have dear friends there whom we visit and who come to the Mainland to visit us, as well. Living in Hawaii has become an integral part of the fabric of our family's life, and I am so grateful that Marimba Books has made it possible to keep these special memories alive and to share them with young readers.
MB: Where did the inspiration for this book come from?
MS: After we moved from Hawaii, we missed it a great deal. I wanted to keep those memories alive for our family, so I began writing the story. Carol Ann is actually a real person (she gave me permission to use her name!), a young Marine wife we met at our church, who was having a difficult time adjusting to life in Hawaii, and she ended up loving it there because of people's welcoming attitudes. Carol Ann's story seems to span the generations, both young and old, and watching kids exemplify the aloha spirit by welcoming others in our daughters' classrooms and in my own classroom inspired me to share the story with young readers who also might have to move somewhere new and different, or might have someone new come to their school. The acclaimed author Virginia Hamilton once wrote, "Writing is what you know, remember, and imagine," and that's how Aloha For Carol came to be.
Learn more about author Margo Sorenson at her website: http://www.margosorenson.com/
A CONVERSATION WITH MARIMBA BOOKS ILLUSTRATOR PRISCILLA GARCIA BURRIS
This month, Marimba Books releases Aloha for Carol Ann, a picture book about an eight-year-old who moves to Hawaii and struggles to feel at home in this new place until she discovers the true meaning of aloha, a Hawaiian term that means "hello," "welcome" and so much more.
Illustrator, designer and author, Priscilla Garcia Burris was born and raised in Southern California. An artist from a very early age, she earned degrees in both Fashion Design and Early Childhood Education, and taught pre-school for several years. She serves on the Board of Advisors for the Society of Children’s Book Writers and Illustrators, and she has illustrated educational, mass market and trade books and other materials for children, parents and teachers. Her published books include Five Green and Speckled Frogs, which she wrote and illustrated: What Do Angels Do?, and I Love You All Day Long, which she illustrated.
To learn more about Priscilla, please visit her web site http://www.priscillaburris.com/
Meet the Illustrator: Priscilla Garcia Burris
Marimba Books: When did you recognize your artistic talents?
Priscilla Burris: From a very young age I was habitually doodling with any paper available! Throughout school age years I continued with the love of doodling, sketching and drawing both informally (while taking notes in class), and formally (when asked to create posters or flyers for events).
MB: Do you remember any of your first drawings? PB: Yes! I have a sweet framed crayon-rendered image I created in Kindergarten. It is a drawing, in full color, of my home including my address over the front door, along with a chimney and strand of gray smoke billowing out of it (this was purely my imagination, as we never had a fireplace). Also included in the drawing is a little girl with a beautiful red dress (triangle shape), a happy smile, and 3 hair bows; one on the top of her head and one on either end of upswinging braids! There are also lowercase letter 'm's — or rather, several colorful birds flying in the sky.
MB: How did you begin working in children's book publishing?
PB: My career in children's book publishing started when I was assigned illustration work for an educational publisher. Creating 10 of these books a year gave me ample opportunity to grow and learn and hone my skills in illustrating children and animals for this specific field of art. A few years after this start, I created picture book dummies — or mock-ups of picture books with text, and submitted these to a publisher who went on to publish 4 of these such books. One of these books was written by my sweet husband.
MB: What was your first published book? And how many published books have you illustrated?
PB: Two of my earliest published picture books are titled “Christopher Is Not Afraid...Anymore” written by Craig Burris, and “Carefree Play Summer Day” written by Julie Hendrickson (1994). To date I have illustrated more than 30 books.
MB: How would you describe your artistic style or approach?
PB: For children’s books, I work in two different styles; one with more of a sketchy-loose line, and the other much more structured and contained. Creating and evoking expression and emotion has always been my approach in any illustration projects or books.
MB: Has your artistic style changed much from when you first started your career?
PB: Yes. While I have illustrated in educational, mass, and trade publishing through the years, my style has grown from the experience in all fields. In some ways it has more recently evolved into a new look, however in another way it has come full circle and I am illustrating in the way I have always loved to create – with heart, soul and joy! And most of all, with expressiveness both facial and in the body language of the characters I create.
MB: What medium do you enjoy most?
PB: Digital painting and pastels tools. Traditional medium would be chalk pastels. I love sketching with either pencils or ink pens best. MB: What attracted you to this particular project―illustrating Aloha For Carol Ann?PB: First, when reading the manuscript at the beginning of the story, “Carol Ann trudged down the path to her new classroom.” I loved that it began with a true-felt emotion of a child who has moved far away and has to now adjust to a new place to live. Secondly, when I was asked to give samples of flora and fauna, as this would be needed for this picture book, I knew I’d thoroughly enjoy the research of the Hawaiian setting, as I have never been there myself.
MB: Do you have a favorite illustration in the book?
PB: My favorite illustration has to be the two-page spread where Carol Ann’s new friend, Maile, is helping her put a fresh hibiscus flower behind her ear and where some new classmates are nearby during recess, enjoying their snacks sitting under the banyan tree. I imagined the coolness of the ground under their feet, and the fragrant breezes that would surround them.
MB: What advice do you have for aspiring artists looking to break into children's book publishing?
PB: Research the market, spending lots of time reading through the genre in children’s book publishing that you are interested in, such as picture books or chapter books. Continually and regularly create new images that tell a story. Create characters, both children and animals. Join the Society of Children’s Book Writers and Illustrators (www.scbwi.org), a professional organization specifically helpful for anyone seriously interested in this field of illustration.
Marimba Books: When did you recognize your artistic talents?
Priscilla Burris: From a very young age I was habitually doodling with any paper available! Throughout school age years I continued with the love of doodling, sketching and drawing both informally (while taking notes in class), and formally (when asked to create posters or flyers for events).
MB: Do you remember any of your first drawings? PB: Yes! I have a sweet framed crayon-rendered image I created in Kindergarten. It is a drawing, in full color, of my home including my address over the front door, along with a chimney and strand of gray smoke billowing out of it (this was purely my imagination, as we never had a fireplace). Also included in the drawing is a little girl with a beautiful red dress (triangle shape), a happy smile, and 3 hair bows; one on the top of her head and one on either end of upswinging braids! There are also lowercase letter 'm's — or rather, several colorful birds flying in the sky.
MB: How did you begin working in children's book publishing?
PB: My career in children's book publishing started when I was assigned illustration work for an educational publisher. Creating 10 of these books a year gave me ample opportunity to grow and learn and hone my skills in illustrating children and animals for this specific field of art. A few years after this start, I created picture book dummies — or mock-ups of picture books with text, and submitted these to a publisher who went on to publish 4 of these such books. One of these books was written by my sweet husband.
MB: What was your first published book? And how many published books have you illustrated?
PB: Two of my earliest published picture books are titled “Christopher Is Not Afraid...Anymore” written by Craig Burris, and “Carefree Play Summer Day” written by Julie Hendrickson (1994). To date I have illustrated more than 30 books.
MB: How would you describe your artistic style or approach?
PB: For children’s books, I work in two different styles; one with more of a sketchy-loose line, and the other much more structured and contained. Creating and evoking expression and emotion has always been my approach in any illustration projects or books.
MB: Has your artistic style changed much from when you first started your career?
PB: Yes. While I have illustrated in educational, mass, and trade publishing through the years, my style has grown from the experience in all fields. In some ways it has more recently evolved into a new look, however in another way it has come full circle and I am illustrating in the way I have always loved to create – with heart, soul and joy! And most of all, with expressiveness both facial and in the body language of the characters I create.
MB: What medium do you enjoy most?
PB: Digital painting and pastels tools. Traditional medium would be chalk pastels. I love sketching with either pencils or ink pens best. MB: What attracted you to this particular project―illustrating Aloha For Carol Ann?PB: First, when reading the manuscript at the beginning of the story, “Carol Ann trudged down the path to her new classroom.” I loved that it began with a true-felt emotion of a child who has moved far away and has to now adjust to a new place to live. Secondly, when I was asked to give samples of flora and fauna, as this would be needed for this picture book, I knew I’d thoroughly enjoy the research of the Hawaiian setting, as I have never been there myself.
MB: Do you have a favorite illustration in the book?
PB: My favorite illustration has to be the two-page spread where Carol Ann’s new friend, Maile, is helping her put a fresh hibiscus flower behind her ear and where some new classmates are nearby during recess, enjoying their snacks sitting under the banyan tree. I imagined the coolness of the ground under their feet, and the fragrant breezes that would surround them.
MB: What advice do you have for aspiring artists looking to break into children's book publishing?
PB: Research the market, spending lots of time reading through the genre in children’s book publishing that you are interested in, such as picture books or chapter books. Continually and regularly create new images that tell a story. Create characters, both children and animals. Join the Society of Children’s Book Writers and Illustrators (www.scbwi.org), a professional organization specifically helpful for anyone seriously interested in this field of illustration.
Illustrator, designer and author, Priscilla Garcia Burris was born and raised in Southern California. An artist from a very early age, she earned degrees in both Fashion Design and Early Childhood Education, and taught pre-school for several years. She serves on the Board of Advisors for the Society of Children’s Book Writers and Illustrators, and she has illustrated educational, mass market and trade books and other materials for children, parents and teachers. Her published books include Five Green and Speckled Frogs, which she wrote and illustrated: What Do Angels Do?, and I Love You All Day Long, which she illustrated.
To learn more about Priscilla, please visit her web site http://www.priscillaburris.com/
Friday, May 13, 2011
ILLUSTRATOR Nicole Tadgell
| Tamika & the Wisdom Rings | ||
ILLUSTRATOR R. Gregory Christie
| Follow-Up Letters to Santa From Kids Who Never Got a Response | ||
AUTHOR Ermila Moodley
| Path to My African Eyes | ||
AUTHOR Tony Medina
| Follow-Up Letters to Santa From Kids Who Never Got a Response | ||
Tuesday, May 10, 2011
ILLUSTRATOR Varnette Honeywood
Sunday, May 8, 2011
ILLUSTRATORS Cornelius Van Wright and Ying-Hwa Hu
| I Told You I Can Play! | ||
ILLUSTRATOR Sylvia Walker
| Land of the Four Winds | ||
ILLUSTRATOR Morrie Turner
| Explore Black History with Wee Pals | ||
ILLUSTRATOR Don Tate
| Kid Caramel: Case of the Missing Ankh Kid Caramel: The Werewolf of PS-40 Kid Caramel: Mess at Loch Ness Kid Caramel: The Legend of Mad Jake | ||
ILLUSTRATOR Sonia Sadler
| Ma Dear's Old Green House | ||
ILLUSTRATOR Anna Rich
| Annie's Gifts AKids' Book of Wisdom: Quotes from the African-American Tradition | ||
Saturday, May 7, 2011
ILLUSTRATOR Cathy Johnson
| AFRO-BETS Kids Glo Goes Shopping Robo's Favorite Places Many Colors of Mother Goose | ||
ILLUSTRATOR Stephan Hudson
| Prayers for the Smallest Hands Poetry from the Masters: The PioneersPoetry from the Masters Series : Black Arts Movement Langston's Legacy 101 Ways to Celebrate the Life and Work of Langston Hughes | ||
ILLUSTRATOR Leslie Harrington
| Conrad Saves Pinger Park | ||
ILLUSTRATOR Ron Garnett
| Courtney's Birthday Party Peach When the Well Run Dry | ||
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